Le Malentendu (Opera) (2015/16) 100’
based on the play by Albert Camus
libretto: Juan Lucas
2S.Mez.Bar Soli. 1Actor
1(picc).0.1(BCl).BSax.0 – 1.1.1.0 – 2perc – pf (kbd1) – kbd2 – Elec – 1.0.1.1.1

First performed 17 March 2016, Buenos Aires, Teatro Colón, Piia Komsi (Martha), Alejandra Malvino (Mother), Leonardo Estévez (Jan), Natalia Salardino (Maria), Horacio Marassi (Old servant) and ensemble CETC, cond.: Walter Kobéra, dir.: Christoph Zauner

Publisher: Peters Edition – EP 14159

Medea (Opera, 1994)
Chamber opera for soloist, chamber choir, instrumental ensemble, dancers and audiovisual media.

Les Rois Mages (Musical Theatre) (2017/ 2018) 70’
Musical theatre based on the play by Michel Tournier
libretto: Gilles Rico
Mezzosoprano/recitante, flute (picc), clar/bass – vln, vc, pf – Elec

First performed 20 October 2018, Madrid, Auditorio Nacional de Madrid, by PluralEnsemble, cond.: Fabián Panisello

L’officina della resurrezione I (Monodram) (2013) 25’
for baritone, electronics and string quartet

Text: Erri De Luca / Book of Ezekiel

First performed 05 April 2013, Tel Aviv, by Yair Polishook (baritone) and Ensemble Meitar, cond.: Fabián Panisello

Publisher: Peters Edition – EP 12799

L’officina della resurrezione II (Monodram) (2014) 25’
for baritone, electronics, speakers choir and string orchestra

Text: Erri De Luca / Book of Ezekiel

First performed 23 September 2014, Katowice (PL), by Holger Falk (baritone), Silesian Chamber Orchestra and

Silesian Philharmonic Choir Octet, cond.: Fabián Panisello

Publisher: Peters Edition – EP 12799a

The Raven (Monodram) (2018) 12′
for Mezzosoprano, flute (picc), clarinet (bass clarinet), perc. and piano

Text: Edgar Allan Poe

First Performance: 5th November 2018, Madrid by Charlotte Mundy and Glassfarm Ensemble (USA)